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Tuesday, 24 September 2013

And if you're classic film mad...


Check out YouTube Channel: JustOneNightOnly1. I have been obsessed with this site for months. It’s amazing, especially for Precode content. The owner has gotten around Youtube’s restrictions regarding copyright and ownership by only uploading films over a 24 hour period and then deleting them. This prevents films from being removed by Youtube and the channel from being banned.  Every day three or four new films are featured, many mainstream and sort after classics such as great Cary Grant, Myrna Loy, Mae West and Ingrid Bergman films and plenty more. Generally everyday there is a new Precode film which is a great way to add films to anyone’s collection.
 



Below they have also compiled an introduction video with a few movies that will be included on the channel, you can watch it here: http://www.youtube.com/watch?v=lXzzPzdW0uY 

 
 

 

Wednesday, 18 September 2013

Name That Star Answer and 'That' Hair

And the answer is…Paulette Goddard.
 

I think I need to make my next ‘Name That Star’ a little harder next time or at least think about changing the name of the image when I upload it. Haha. But to me, the most interesting feature of the photos is the amount Paulette changed from both eras. She definitely rivalled the Queen of the Hollywood transition, Joan Crawford, and definitely were a factor in her future fame. Her blonde tresses were not only an indication of the style trends of the early thirties (note some of Bette Davis’s ridiculous Precode hair do’s) but also her close and trusting relationship with her second husband, Charlie Chaplin, who she met in 1932 during her Goldwyn Girl days and who reportedly persuaded Paulette to alter her hair colour. Below is a little article about Paulette’s blonde days, her early relationship with Chaplin and her transition into becoming a brunette.
 
The Blonde Hair and Charlie Chaplin
Paulette Goddard began her film career, like many classic actresses, as a blonde. I have read somewhere that she originally began wearing platinum wigs over her natural brunette locks for her first roles in several Laurel and Hardy and Hal Roach shorts. The blonde hair stuck and she reportedly dyed her lengths after receiving more significant parts and a place in the popular ‘Goldwyn Girls’ troupe. She appeared as a chorus girl in several Eddie Cantor musicals, for example, ‘The Kid from Spain’ (1932), ‘Roman Scandals’ (1933) and ‘Kid Millions’ (1934). Her life changed when, in 1932, she met legendary film director, writer and actor Charlie Chaplin.  According to CharlieChaplin.com, Chaplin was invited to a weekend cruise aboard a yacht owned by United Artist chairman and president, Joe Schenck.  The pair met during the party and Chaplin gave Paulette sound financial advice regarding a proposition of a $50,000 investment she was going to make into a dodgy movie company. They became close from this meeting.
Chaplin and Paulette during late 1932:

 
It was during the period between her film appearance in ‘Kid Millions’ (1934) and her next role as ‘The Gamin’ in Chaplin’s classic, ‘Modern Times’ (1936) that Paulette was persuaded by Chaplin to change her hair colour back to a more natural – and some say more beautiful – raven. The part was only a minor role but it was definitely a step-up from her chorus girl background. The alteration to her appearance and her positive professional and personal relationship with the film-maker enhanced her standing among the Hollywood community. Although the six year marriage ended in 1942, its conclusion was probably the least bitter and sensational of all Chaplin’s divorces perhaps due to the friendship they still shared or Paulette’s enduring gratitude over Chaplin’s good hair style advice from a decade before.   
Chaplin and Paulette in ‘Modern Times’ (1936)
 

Sunday, 15 September 2013

Precode Double Take: Name That Star Edition!!

Today I came across a few pictures of a famous classic actress in her Precode days. I couldn’t believe that she is almost unrecognisable from the more mature, popular star she would become. I thought I would do a “Precode Double Take” like I have done before with other classic actresses that made quite distinct physical changes as the era and styles changed. I’m sure many Precode geniuses will recognise her as she was part of a very famous institution in the 1930’s. Comment below if you can identify her. I will post the answer tomorrow.
 
The Precode Blonde Bombshell
 
 


The mystery lady in the late 1920’s:
 
Here she is again, in the middle, with Thelma Todd:
Some great cheesecake shots:

 

 
Good luck…
 


Wednesday, 11 September 2013

Spotlight on Raquel Torres


The half-German, half-Mexican, Raquel Torres provided another sexy, feisty and exotic edition to Precode comedies, dramas and adventure films. Born Paula Marie Osterman on November 11, 1908 in Hermosillo, Mexico, the Osterman family migrated early to Hollywood and Torres spent most of her childhood there. She began her film career twenty years later in the innovative film ‘White Shadows in the South Seas’ (1928) which was the first of MGM’s silent productions to feature synchronized music and effects.  The film went on to receive the Best Cinematography Oscar and was a fabulous entry for Torres into the film industry. Her exotic ancestry did not affect her elevation into talking pictures unlike some of the popular European beauties and she was featured in the part-talkie ‘The Bridge of San Luis Rey’ (1929) together with Lili Damita and Ernest Torrence after her debut picture. This film began Torres typecast as the ‘Island Girl’ in a number of tropical, foreign adventure movies. Her Spanish beauty and dark eyes made her a favourite in B-graders, ‘The Sea Bat’ (1930) and ‘Aloha’ (1931) and, a welcome change, as the female counterpart to the hilarious Precode comedy team Wheeler and Woolsey in ‘So This is Africa’ (1933).  She landed her most memorable role alongside the Marx Brothers in their unforgettable film, ‘Duck Soup’ (1933). It would be one of the last films in her short career.
Raquel Torres with Wheeler and Woolsey
In 1934 at a party, Torres first met New York stockbroker Stephen Ames in Hollywood with his wife actress, Adrienne Ames. They were attracted to each other and bonded over cold remedies – as Torres was ill at the time – but they relationship did not go any further because of Ames’ marriage. A year later the pair met again, this time in New York, Ames now divorced and Torres newly single they struck up a relationship. They married some time later. It was Ames who, although became a fairly successful movie producer in the mid-1940’s, persuaded Torres to retire from the film industry and her last appearance was a bit part in the 1936 Mae West comedy, ‘Go West Young Man’. Ames died almost 20 years later in 1955.
Raquel Torres and Stephen Ames  
Four years later Torres married actor Jon Hall famous for his handsome and equally exotic good looks. The son of actor Felix Hall and a Tahitian princess he enjoyed a long but not overly popular movie career. The couple reportedly were divorced a few years later and then subsequently remarried. Hall committed suicide in 1979 probably due to severe pain from bladder cancer.
 
Torres, after the ending of both her marriages, retreated into a private life in Malibu, California. She once again reached headlines in 1985 when her house was one of many destroyed by a fire that swept through the area. Her place was mostly destroyed but she escaped unharmed by the flames. She died two years later August 10, 1987 from complications following a stroke aged 78. Although her career was not long, Torres will always be remembered to Precode fans as a sexy, feisty Spanish beauty to rival the more popular likes of Lili Damita or Dolores del Rio.  
 

 

Thursday, 5 September 2013

More Edwin Bower Hesser: Gallery 2#

More from photographer Edwin Bower Hesser:


Louise Brooks:
 

Dolores del Rio
 

Anita Page:

 
Leila Hyams
 


Jean Harlow:




Jeannette McDonald:
 


 
Myrna Loy:
 

Marie Prevost:
 
 

 
 

Monday, 2 September 2013

Edwin Bower Hesser Gallery 1#


Edwin Bower Hesser was a popular Hollywood photographer during the silent era and early talkies. He created beautifully sensual images often with bright, golden undertones. In 1925 he began his own arts magazine ‘Arts Monthly Pictorial’ which featured pages of nude/ semi-nude women. He was also the famous photographer of a handful of semi-nude shots of Jean Harlow in posing around Griffith Park, published in his magazine in 1929. I have not included this pictures because they are a little risqué, but let me know if you want to see them. He also created a three-colour system for photography – named appropriately ‘Hessercolor’ – used on the set of early Technicolour films, ‘Becky Sharp’ (1935) and ‘La Cucaracha’ (1934). Below I have included some of his most beautiful shots of several Precode stars and hope to add more in future posts:
 
Carole Lombard:

 
 
Joan Crawford:
 
Sue Carol:
 
Dixie Lee:
Virginia Bruce:
 
 
Ann Harding:
 
 

Friday, 30 August 2013

Precode/ Film Resource 1# The Media History Project



Just a quick note for film and Precode lovers. The Media History Project is a wonderful source for an abundance of fan magazines from 1911 to 1963. They can be downloaded or viewed online for free depending on your internet capabilities. The element I love the best is that the website includes an extensive collection of Photoplay magazines which I think is one of the best overall fan magazines of the Precode era. Photoplay features a wide variety of film reviews, gossip, articles, posters and vintage advertisements. But there’s more, with many copies of Hollywood, Motion Picture, Picture-Play and New Movie magazines also available. I recommend everyone check it out!
 
Precode Spreads
 
 
 
From 1934 Film Fun Magazines taken from blogspot: Allure
 
 
Precode Advertisements
 
Precode Covers