Barbara, with a lot of tears, wise-cracks and ‘hope’
is the perfect actress for a self-sacrificing bad girl-turned-good girl in her
third talky ‘Ladies of Leisure’ (1930).
Plot:
Artist Jerry Strong (Ralph Graves) is at a wild
party hosted by his carefree, society fiancée Claire Collins (Juliette Compton)
and his drunken, playboy friend Bill Standish (Lowell Sherman). It is filled
with untamed antics, fuelled by alcohol and reckless abandonment.
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| Precode Party Antics |
Bored, Jerry
leaves the party for a quiet early morning drive. He stops
by a river to fix a flat tire and, serendipitously, runs into a pretty young
woman paddling frantically in a row boat. The wise-cracking and brash Kay
Arnold (Barbara Stanwyck) is escaping from a ship anchored far out in the
ocean; she is a ‘party-girl’ by trade and was hired out for the party. In order
to save the damsel in distress from a 30-mile walk into town Jerry offers her a
ride in his car. They share jokes, problems and cigarettes and Kay falls asleep
on his shoulder.
In Kay,
Jerry sees something he hasn’t seen in a long time – hope – and asks her to
pose for him. They begin work on the portrait. But, Jerry is struggling to find
the spark and position to make the picture come alive and sees her as a model
or an object and not a woman. He removes her makeup and changes her clothes;
however, it appears the picture is a ‘lost hope’. Optimistic the pair continues,
the more Kay becomes infatuated with Jerry and engrossed in the project the
more she changes into a refined lady. This goes unnoticed by the blind and
art-obsessed Jerry.
One night
under the stars, Kay hits breaking point and threatens to quit. Jerry, through
charm and love of the project persuades her into continuing. When she is
looking into the stars he sees the hope he spotted in her at the beginning.
Jerry starts frantically painting into the night. They spend hours working and
Kay ends up sleeping the night at Jerry’s apartment. She pretends sleep and
notices Jerry lovingly covering her with blankets and tucking her in. However, next
morning everything has changed; Jerry is back to his professional self, talking
to Kay as an object and not a person. She breaks down over breakfast and Jerry
demands to know why she is crying. Before she can open-up, John Strong (George Fawcett) – Jerry’s father
– pops in eager to discuss a plan with his son. He tells of a scheme for the
Strong’s, Jerry and his fiancée to move to Paris where they can finally marry
and Jerry can attend a prestigious art school. Jerry bluntly refuses and Mr Strong
automatically assumes he has fallen for Kay and demands Jerry get rid of her. Thankfully,
he ignores the warning and they return to work despite Kay’s incessant crying.
Jerry confronts her, calling her a ‘dirty blackmailer and a thief’ and shakes
her. Miraculously, this breaks the tension between them; this moves to a hug
and he carries her onto the bed where they kiss.
They hatch a plan to escape to Arizona where Jerry
can paint under the stars in the country. But Mr Strong has other plans and
vows to never see his son again if he marries Kay. Mrs Strong (Nance
O'Neil), instead, talks directly to Kay and pleads with her to give
up Jerry for the sake of her husband and sons relationship. After a lot of hugs
and tears, Kay loses her strength and agrees to leave Jerry. She decides to
go to Havana with Jerry’s best friend, the often drunk, playboy Bill who had
been pursuing her as well.
She
tells Jerry she needs to finish packing and elopes with Bill. When Jerry realises
what has happened there is little time to reverse the damage his family has
caused and prevent the damage Kay’s reputation – and perhaps her life -
forever.
“Most men never get to be eighteen and most women
are eighteen when they are born.” Bill Standish
Lowdown:
This film is the first in the famous Capra-Stanwyck collaboration
and, as a result, is one of the most emotional and well-developed movies of the
Precode era. I found it very modern in its structure – being around 30 minutes
longer than normal films of this period – and less focused on newspaper style,
fast-paced racy and scandalous subject matter. It is interesting to note, as
this seemed like a perfect vehicle for Barbara’s wise-cracking and touching
acting style, that both her and Capra barely agreed to do the film. By 1930 Stanwyck’s
career appeared to be faulting and her first meeting with Capra reputably ended
in tears. But, after persuasion by her then husband Frank Fay, both hesitantly
started filming and Capra discovered, “Stanwyck gave her all the first time she tried a scene . . .”
In saying this
there is one feature of the Stanwyck performance I didn’t like. Perhaps it’s a result
of my obsession with traditional hard-edged Precodes, but Barbara does a
massive amount of crying in this film – during the early painting phase, before
she and Jerry become engaged and pretty much the entire time afterwards. She is
a very good and believable film ‘crier’ but it was too excessive and became
boring by the end.
Although this is a Stanwyck vehicle, two actors did steal the movie in many occasions, namely, a Precode favourite Lowell Sherman as Jerry’s best friend Bill Standish and the silent beauty Marie Prevost as Kay’s confidant and room-mate Dot Lamar. They are beautifully comical and witty and compliment the high drama perfectly. I especially love Dot’s food and weight issues; she is constantly complaining about her increasing size and even tries the popular vibrating slimming machine but, at the same time, unapologetically loves eating large and rich meals.
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| Lowell Sherman as playboy Bill Standish |
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Marie Prevost as Dot Lamar
|
‘Ladies
of Leisure’ (1930) is a wonderful and emotionally-charged film with moving
acting by the lovely Stanwyck and some cute comic relief by great character
actors Lowell Sherman and Marie Prevost. Although, I found Ralph Graves as
Jerry Strong a little stilted and boring, the pair’s relationship blossomed and
was very believable. I would recommend this movie to any person interested in
classic films as this is not a traditional Precode film and would be accessible to most people.
