Busby Berkeley aged 75 |
The Murder Trial of Busby Berkeley:
Busby Berkeley was born November 29, 1885 in Los
Angeles, California to a stage actress mother and actor father. Although he began his creative life as an
actor, after World War I, Busby started directing the dance scenes of several
1920’s Broadway musicals. He created his mark by removing the idea of
traditional female sexuality and the female form and focusing on the geometric
patterns chorus girls could create. Busby’s first major film effort was in the
Eddie Cantor musical ‘Night World’ (1932) and he soon progressed into creating
more complicated and lavish productions, such as, in ‘Gold Diggers of 1933’
(1933) and ‘Footlight Parade’ (1933).
Berkeley was at the height of his career after the
success of popular films, ‘Dames’ (1934) and ‘Wonder Bar’ (1934) and the
opening of his new film ‘Gold-diggers of 1935’ (1935) when the fateful night
occurred. It was the night of the 8th
of September 1935 and Busby was attending a party held by Warner Brothers
production chief William Koenig in Pacific Palisades. Anxious to make an
appointment with bandleader Gus Arnheim which was scheduled the next day, he
left the party early and still very much affected by alcohol.
What happened next is unclear, but witnesses
testified that Berkeley who was driving down the Roosevelt Highway at high
speeds, changed lanes suddenly and crashed head-on into a car and collided with
another. This resulted in the death of two people, caused severe injuries to
five others – with one later dying from the wounds - and left Busby badly cut
and bruised.
As Busby was in the public eye and a popular and
productive commodity for studios, he had to be protected. Therefore, to defend
the legendary choreographer against second degree murder charges there could be
only one contender, the brainy and equally legendary Hollywood lawyer Jerry Giesler. Giesler had become notorious in Hollywood
for successfully defending big stars against a wide assortment of legal charges.
He would later be the lead in the Errol Flynn
rape case, defend Robert Mitchum against illegal possession of drugs charges
and be involved Charlie Chaplin’s paternity case. He was known for his crafty
and outlandish style of conducting questioning and proving points.
Giesler (right) with Errol Flynn (centre) |
Giesler with Charlie Chaplin |
Giesler would have to pull out all the tricks for Berkeley’s trial, with the big issues proving what in fact caused the crash. Was it alcohol as some police and witness reports claim or was it, as his defence team asserted, due to problems with his front tire and the dangerous nature of the stretch of road? However, the jury believed the defence with two trials resulting in a hung verdict and acquittal in the third.
Busby Berkely arriving at the first trial brought in on a stretcher |
Although the case is legally closed, many have questioned the verdicts and the influence of the studio system in achieving them. The main issue has been the question of ‘drink driving’. How could a jury believe that Berkeley with a history of alcoholism, who had just left a party was not intoxicated, an idea that was collaborated by several witnesses and policemen. Some sources have attributed this to the power of studio heads and even concluded that bribery was involved. However, none of this has been proven and, even though he was acquitted, it can be said the accident had a major impact on the life of Busby and his success as a director.
Just a couple of comments:
ReplyDelete1. Busby Berkeley was born in 1895 not 1885.
2. Berkeley's first film was "Whoopee!" in 1930.
3. The accident didn't necessarily have an impact on Berkeley's success as a director. True, his Warner Bros. style of musicals had changed, but his work with Mickey Rooney and Judy Garland at MGM were very well received ("Babes in Arms" earned more money than "The Wizard of Oz" in 1939). He continued working in motion pictures up until 1962.
Jeffrey Spivak, author "Buzz: The Life and Art of Busby Berkeley"